It covers classical music reviews, as well as in-depth guides and classical music news. sound excerpts. Recorded in the Teldex Studios, Berlin in July and September 2019, the cello is sufficiently close without any noticeable noise from the fingerboard, which is a distraction of some recordings, including Stephen Isserlis’ otherwise highly regarded set. There is a freedom, spirit, yearning and spontaneity, her sense of how to play this music evolves, unfolds and flows. This release can be recommended without reservation for any listener who prefers his Bach played with inner power, rather than superficially forced. BACH CELLO SUITE N°6 - SOURCE I . BACH CELLO SUITE N°6 - SOURCE III . Get our periodic classical music newsletter with our recent reviews, news and beginners guides. Can someone please provide a harmonic analysis of the first 35 measures of Bach's Cello Suite No. BACH CELLO SUITE N°6 - SOURCE II . Weilerstein’s contemporary approach is respectful of the Baroque origins but brings a highly expressive performance. The characterful Gigue, which concludes many cellists complete cycles, feels like a comma here; a chance to breathe and reflect before taking the next step into the remaining three suites. The second CD of the album programs suites 2, 4 and 5, the two minor suites bookending a major. Articulation is gently executed with precision and care; dynamics contrast with subtlety and phrasing is as natural as her use of rubato. His second recording of the Suites was played on the Servais Cello, and was released in 1992. Compared to Bach’s other suite collections, the cello suites are the most consistent in order of their movements. The Third Suite, coming next in the first CD, opens with a sense of recitative in the opening Prélude. BACH CELLO SUITE N°6 IN D MAJOR BWV 1012. The second (1997), was accompanying some 6 short videos for each suite, had a Lower pitch and were overall more extravagant in character. Review: Martinů – Violin Concertos – Frank Peter Zimmermann, Bamberger Symphoniker, Jakub Hruša, Review: “Amici e Rivali” – Lawrence Brownlee and Michael Spyres perform Rossini, Double Review: Quatuor Arod and the Signum Quartett Play Schubert, Review: “Carnival of the Animals” – The Kanneh-Masons, Review: Louis Lortie Plays Chopin, Volume 6, Bach Goldberg Variations – The Best Recordings – Part I, Review: Bach – Motets – Ensemble Pygmalion, Raphaël Pichon, Review: “Anima Rara” – Ermonela Jaho, Soprano, Review: “Aranjuez” – Thibaut Garcia, Guitar, Review: Haydn – String Quartets Op. This is Yo-Yo Ma’s third attempt at Bach’s 6 unaccompanied cello suites, and the question on everyone’s mind is “what’s different?”. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. Read our Best Of guides for classical music. 4? Despite the fourth suite being in the major, there is darkness throughout which works well with the surrounding minor tonalities. With such a range of manners in how to contrast music, it begs the question with so much ahead, has she peaked too soon? 2, Handel Variations – Lars Vogt, Review: Bach – Motets – Ensemble Pygmalion, Raphaël Pichon, Review: “Anima Rara” – Ermonela Jaho, Soprano, Review: “Aranjuez” – Thibaut Garcia, Guitar, Review: Haydn – String Quartets Op. Review: Bach – The 6 Cello Suites – Alisa Weilerstein Leighton Jones - April 13, 2020 June 18, 2020 Alisa Weilerstein has proved an exceptional cellist and distinguished musician, as shown by her collaborations with the Trondheim Soloists in Haydn and Schoenberg and with Daniel Barenboim in … The Classic Review was launched in 2018 for classical music lovers around the globe. 33 – Doric String Quartet, Review: Niklas Sivelöv – Piano Concertos – Composer, Malmö Symphony Orchestra, Review: Franz Schmidt – Complete Symphonies – Frankfurt Radio Symphony Orchestra, Paavo Järvi, Read of the latest news in classical music, Looking for the best version of a classical music piece? 4? The cello’s lowest note, the bottom C string, is often played to make up a meaty C major chord, showing off the full range of the instrument. Review: Martinů – Violin Concertos – Frank Peter Zimmermann, Bamberger Symphoniker, Jakub Hruša, Review: “Amici e Rivali” – Lawrence Brownlee and Michael Spyres perform Rossini, Double Review: Quatuor Arod and the Signum Quartett Play Schubert, Review: “Carnival of the Animals” – The Kanneh-Masons, Review: Louis Lortie Plays Chopin, Volume 6, Review: Bach Cello Suites 1-3 – Amit Peled (Casals’ Cello), Review: Bach – Sonatas and Partitas for Solo Violin – Thomas Zehetmair, Review: “Stabat” – Pärt, Macmillan & Vasks – Ross, Review: Brahms – Piano Concerto No. Read our Best Of guides for classical music. Ma is using modern bow and strings, but similar to many of today’s period instruments specialists, his usage of the vibrato is sparse, only added as a decorating element or when it suits the musical phrase. LISTEN. Many of Bach’s best-known compositions from the Cöthen period begin with a prelude; these include the first volume ofThe Well-Tempered Clavier,Part 1; the six English Suites; the six Partitas for harpsichord; four of the six works for solo violin (all three Sonatas and the last of the three Partitas); and all six of the Cello Suites. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. All rights reserved. Believed to have been written for a “Cello Piccolo” or another form of a higher string instrument, The Sixth Suite is more demanding, of the player and listener alike, something which becomes obvious as Weilerstein’s well-considered but communicative approach develops.